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Friday, August 16, 2019

Peter Fonda Dead of Lung Cancer at 79

Los Angeles, California, U.S.A (August 16, 2019) WHR — Peter Fonda, who broke out from under the legendary Fonda family name with Easy Rider, has died. He was 79.

Fonda, the son of acting legend Henry Fonda, the younger brother of Jane Fonda and the father of Bridget Fonda, died Friday morning at his home in Los Angeles, according to his rep. The cause of death was respiratory failure due to lung cancer.


"In one of the saddest moments of our lives, we are not able to find the appropriate words to express the pain in our hearts. As we grieve, we ask that you respect our privacy," said his family rep on Friday afternoon. "And, while we mourn the loss of this sweet and gracious man, we also wish for all to celebrate his indomitable spirit and love of life."

The family statement concluded: "In honor of Peter, please raise a glass to freedom."

Fonda received an Academy Award nomination as a screenwriter for Easy Rider, which he shared with Dennis Hopper and Terry Southern.

Fonda and Hopper dreamed up the idea of two motorcyclists who hit it big with a drug deal and take off across the country, ostensibly to attend Mardi Gras. Their trek was "in search of America," emblematic of the '60s zeitgeist of rebellion and drug experimentation. Featuring Jack Nicholson as their alcoholic, back rider/lawyer, the film was a low-budget, colossal hit.

Fonda produced Easy Rider for about $384,00, with Columbia Pictures picking up distribution rights. "I made Easy Rider for the same amount of money Roger Corman made Wild Angels, and [I knew] it would knock the audience's socks off," Fonda told The Hollywood Reporter in July for a feature on the 50th anniversary of the classic.


Shot in roughly seven weeks between L.A. and New Orleans, it introduced the studios to the bright, educated youth market, and Fonda paved the way for independent filmmakers. For the cataclysmic year of 1969, Easy Rider was a road movie that accomplished cinematically what Jack Kerouac's On the Road did for literature. It won a standing ovation at Cannes and the festival's best director award.

To a generation of young people, Fonda was "Captain America" and a poster-boy for the age. With his cool shades, leather jacket with the flag stitched on back, he sat perched atop a chrome-laden, high-handle-bar cycle, and the poster for the film was ubiquitous in college dorms in 1969 and the early '70s.

As a symbol for rebellious youth, Fonda, along with Mick Jagger, Jimi Hendrix, Muhammad Ali and John Lennon, were among the most revered of countercultural poster boys.

Nearly 30 years after Easy Rider, Fonda's performance in Ulee's Gold (1997) as a beekeeper and sullen Vietnam War veteran whose family had nearly fallen apart earned him a best actor Oscar nom.

Fonda followed up Easy Rider by starring and directing The Hired Hand (1971), a feminist Western that his Pando Company made for Universal. He then helmed Idaho Transfer (1973), a message film about the environment.


He directed and starred opposite Brooke Shields in Wanda Nevada (1979), which featured a cameo by his father.

For a period after Easy Rider, Fonda lived on an 82-foot sailboat, essentially having dropped out. "I was writing during that period, and I got about as much writing done as a child in a sandbox," he told the Los Angeles Times in 1984.

In the early '80s, Fonda appeared in a humdrum batch of projects: He played as charismatic cult leader in Split Image (1982), a freewheeling adventurer in Dance of the Dwarfs (1983) and a suicidal father in the 1985 NBC movie A Reason to Live.

His other acting stints were uneven, from the lowbrow The Cannonball Run (1981) to a German impressionistic film, Peppermint Freiden (1983).

He also starred in Thomas McGuane's 92 in the Shade (1975), where he met Portia Rebecca Crockett; then the wife of the writer-director, she divorced him that year and quickly married Fonda. McGuane went on to marry actress Margot Kidder, who also was in the movie.

Rebecca convinced Fonda to move to Livingston, Mont., where they settled into a community at times populated by Jeff Bridges, Sam Peckinpah and other artistic off-roaders.

In the years before Ulee's Gold, he had become a cinematic recluse, living in Livingston, where he had two ranches and 300 acres and rejoiced in the solitude. "Most people can't hang in with me," he said in a 1997 interview. "I have a tendency to go tangential."

Peter Fonda was born in New York City on Feb. 23, 1939. As a child, he attended a number of boarding schools in the Northeast. When at home, he and Jane spent most of their time with their maternal grandmother.

In 1950, his mother, Frances, committed suicide on her 42nd birthday; Jane and Peter were told she died of a heart attack.

Throughout his adult life, he openly referred to an uneasy relationship with his dad, who died in August 1982.

His father remarried Susan Blanchard, the stepdaughter of Oscar Hammerstein II, but she left him after five years of marriage. Subsequently, Peter was sent to live with relatives in Nebraska. He enrolled at the University of Omaha but quit school during his third year and became an apprentice at the Cecilwood Theatre in Fishkill, New York.

After a year in New York, Fonda made his Broadway debut, playing an Army private in Blood, Sweat and Stanley Poole. It was an auspicious turn: He received the Daniel Blum and the New York Drama Critics Award as the most promising young actor of 1961.

He was signed to a personal contract with producer Ross Hunter to produce and to act. It gave him the chance to leave Manhattan, which he loathed. "New Yorkers don't know what the people who live in Iowa, Kansas, Nebraska and Colorado know: the reality of this world, what it is made of, the reality of days, nights, weather, season, dirt, air, food, love."

Groomed to be the next Dean Jones, Fonda made his film debut opposite Sandra Dee in Tammy and the Doctor (1963). He followed up with The Victors (1963) and Lilith (1964), in which he played a suicidal mental patient. He then latched on with Roger Corman's low-budget enterprise and starred as biker Heavenly Blues in The Wild Angels (1966).

He followed that with another Corman opus, The Trip (1967), a paean to LSD that was written by Nicholson and featured Hopper playing a freaked-out character. The film was widely popular among college-age students and meshed with the counter-cultural mindset of the day.

Not content with cranking out cheapo motorcycle vehicles for Corman, the threesome decided to do "their own thing," in the parlance of the times, and that turned out to be Easy Rider.

Fonda also starred in such features as Dirty Mary Crazy Larry (1974) and Race With the Devil (1975) — where he starred with Warren Oates as two family men who take on a band of devil worshippers in Texas — and the Canadian horror film Spasms (1983).

In addition to his daughter Bridget, Fonda had a son Justin, by his first wife, Susan Brewer. With his second wife, Betty Crockett McGuane, the pair had a combined family, including her son Thomas McGuane.

Wednesday, July 17, 2019

Music Submissions

Badlands of Indiana (July 17, 2019) WHR — Wild Hog Radio is on the hunt and we are looking for some local kick ass tunes. Hook us up with them and we will take a listen, if our DJ's like what they hear then maybe they will hear themselves on our radio station.

We hand pick the artists and we’re always listening to new music. At Wild Hog Radio, we endeavor to support the music of Indie artists of the Midwest – those artists who write, record, and promote their own music independently of major record labels.


We consider it a real honor to provide an online radio stream where the music and the life stories of Indie Artists can be heard locally and globally. To help us further that goal, we invite Indie artists to submit their music for possible play on our station. There are some criteria, and ultimately we will decide if your music fits our format and criteria closely enough to make it on the air.

Please understand, though, that we do not judge your music and if you are not selected for airplay on Wild Hog Radio, it doesn’t mean we don’t like your music – we love all music! But we do have requirements we closely follow. We will bend and work with you as best we can to get you on the air if at all possible.

Here are the guidelines….


The most important requirement is that all submissions be formatted correctly..

+ MP3’s only! < No! ~ WMA, MP2, WAV, OGG, M4A, ACC>

+ Absolutely no hip-hop or rap. This is a Rock n' Roll Station with a mix of County and Oldies.

+ Please name each audio file submitted as: “Artist Name – Song Title”.mp3

+ Each song submitted is encoded in mp3 format at 128-kbps. Our station streams at a steady 128-kbps and does not require higher bitrates. Higher bitrates use valuable disk space.

+ The song is a clean version, if possible. If the song contains vulgar language by FCC standards, then make sure to mark the song as “dirty” or “unedited.” Such songs may qualify for late-night programming.

+ Fill out the ID3 tag on the mp3 (where you put the song name, artist name, album name, year, genre, album cover art, etc.). If you don’t know how to do this, please include the band name, album name, and track-listing for the songs. Also, include a high resolution .jpg or .png of the album cover artwork.

+ Please include a short bio

*Please include a band bio and link to your website(s). By submitting music for consideration to Wild Hog Radio, and in exchange for publicity and promotion, you grant Wild Hog Radio royalty-free, non-exclusive, perpetual right and license throughout the world to broadcast and transmit your music on all Wild Hog Radio properties; including, but not limited to Wild Hog Radio and the WildHogRadio.com internet radio station.*

**We are not obligated to place your music on our station. We are not obligated to return any correspondence. We reserve the right to reject any music not meeting our submission/editorial standards. If you feel that our submission guidelines are too stringent, you agree to not submit music to our station. You agree that you are a legally authorized representative of the band/artist’s music that you are submitting and that you have permission to submit music on behalf of the band/artist.**

Sunday, July 14, 2019

Looking Back: Sweet F.A.

Badlands of Indiana (July 14, 2019) WHR — The year was 1988 and in Indianapolis, Indiana, the musicians Steven David De Leong (vocals), Jon Huffman (guitar), James Thunder (guitar), Jim Quick (bass) and Tricky Lane (drums) joined forces to form the American hard rock band SWEET F.A. These Midwestern boys played their first gig on November 21, 1988, and had a major label deal a mere eleven months later.


In late 1990 Sweet F.A. left MCA Records to immediately sign their second recording contract with Virgin Records subsidiary label, Charisma Records and released their second worldwide release, Temptation which was not successful.


After a several years on hiatus, the band with all original members released their third CD on Upward Records entitled, The Lost Tapes. A very straight forward and energetic bluesy hard rock record. This release is an actual compilation of songs recorded intended for release but never were back in the early days.


The group holed up with producer Howard Benson in Atlanta, Georgia to record the debut album Stick To Your Guns. It would prove to be an excellent release, with singles such as "Prince Of The City" and "Rhythm Of Action", but would stall at #161 on the Billboard charts. Disappointed with sales, MCA released the band from their roster in late 1990, as the band themselves released Quiggins.


With a new label, the band set to record the follow-up album with session bassist Frank Coglitore. Released in 1991, Temptation was a more mature album, but failed to do much business in recession-hit America. The band hit the road with new bassist Mark Matthews, but with the musical tides changing in the early nineties, the end had arrived for Sweet F.A.

Monday, July 8, 2019

Remembering the Allman Brothers Band

Badlands of Indiana (July 8, 2019) WHR — The Allman Brothers Band revolutionized the music industry. Although the band was actually formed in Jacksonville, Florida, their ties to Macon made the city a recording hot spot in the years that followed and cemented the city’s place in music history. It’s a step back in time for visitors at 2321 Vineville Avenue in Macon.

“The old house has a unique aroma about it. It smells like an old home that had a lot of love in it and a lot of caring," said Richard Brent, director of The Big House Museum.


The house was for rent in 1969. By 1970, it became a place where band members, friends and family would stay for the next few years. The home’s location even influenced some of the band's lyrics.

"Rolling down Highway 41 and the song Ramblin' Man—to look out the window there and you see Highway 41. The song Blue Sky, 'good ole’ Sunday morning bells are ringing everywhere' and there’s church bells right behind you," said Brent.


Brent said The Big House is now the ultimate Allman Brothers Band experience. Memorabilia and artifacts line the walls from each decade the band performed. It’s an attraction that draws people to middle Georgia from all over the world—including fans who’ve followed the band since the beginning.

“They were the best band in the Unites States at that time. There’s no question about that. They played every single night somewhere, said James Devine, a fan of the band who was visiting from Daytona Beach.

“Seen them as individual players. We’ve seen them with Gregg Allman by himself," said Moira O'Leary, who was visiting with friends from New Jersey.


The band’s distinct style and sound changed the course of music forever. Southern Rock became a household name and the band consistently had success on the charts. But they did have their fair share of challenges. Band members Duane Allman and Berry Oakley both died in motorcycle crashes a year apart. The band also experienced personnel changes over the years, and even broke up and got back together more than once.

"They were just so super talented, genius musicians. That’s the only way I can describe their music," said Devine.

Nowadays, The Big House continues to thrive—about 20,000 visitors a year—double the number from just two years ago, according to Brent. The artifacts and the experience still excites fans to this day.

“It’s just been a thrill. This is like one of these where I’ve got to pinch myself that actually I’m here and seeing all of this memorabilia. It’s just been so wonderful," said O'Leary.

Duane Allman, Berry Oakley and Gregg Allman are all buried in Rose Hill Cemetery, which is about two miles from The Big House. March 26th was the actual 50th anniversary of the band.

SOURCE: Fox24

Saturday, June 22, 2019

Duane Roland: The Last Interview

Badlands of Indiana (June 22, 2019) WHR — When Indiana native Duane Roland died at the age of 53 on June 19th, 2006, he was right in the middle of a major comeback as a member of Gator Country, reuniting him with other founding and former members of Molly Hatchet in a band that was truly on the verge of greatness. They had recorded an excellent cover of "Oh Atlanta" and were working on a full length album.


As a founding member of Molly Hatchet, Duane Roland brought a massive amount of talent to the three guitar lineup that became Hatchet's signature sound. Several years ago, when Dave Hlubek left the Southern Rock Allstars, Roland stepped up to the plate to knock it out of the park. Then last year, he suffered one of the hardest blows anyone can suffer, when his wife passed away.


Roland picked himself up, dusted himself off, and did what he did best- played guitar with Gator Country. We started this interview the first week in June, and never had a chance to complete it. We are printing what we have, as a tribute and insight to a true Southern Rock guitar giant.

Tell us a little about where you were born and raised.

I was born in Jeffersonville, Indiana, near Louisville, Kentucky. We moved to Florida when I was seven years old.

Was there a lot of music in your family?

Oh yes, definitely. My mother was a concert pianist. My dad played guitar some.

Who was your biggest musical inspiration early on?

There are a lot of guitar players that inspired me, but my favorite was, and is, Eric Clapton.

How did you initially hook up with the guys in Molly Hatchet?

I was working on putting a band together with Banner and Bruce, but that didn't work out. They joined Dave and Steve, and then Danny. At this point, I was in another band called The Ball Brothers Band. Dave didn't show up for one of Hatchet’s gigs and Banner called me to fill in so they could get paid for the night. They and their management were thinking about going to three guitar players, so one they came down from Macon to hear me play and after that I was asked to join.

How did you come to leave the band?

We were only planning to take a year off. But that changed. There was a lot of corporate b.s. going on that's best left unsaid.

What is your favorite Hatchet album?

I really loved the second album. It’s usually pretty easy to come up with a debut album because everybody in the band has been writing for years. The sophomore effort is usually the one that tells the tale, and I think we proved ourselves.

What was it like to be a member of The Southern Rock Allstars?

I had forgotten how much fun it was playing music with really great musicians. It woke up an old rock beast in me. I loved playing guitar with Jay. Charles is a fantastic bass player and Jakson- damn- Jakson. What a powerhouse. I miss that man every day. And it was great to once again stand behind the greatest singer I've ever played with, Jimmy Farrar.

Which brings us up to Gator Country. Once again you are playing with Jimmy, and many of the original Molly Hatchet members. How does that feel?

I tell ya, Michael, it’s great. You heard the single right?

Yeah, you sent it to me. A great cover of the old Little Feat song “Oh Atlanta.” It’s awesome.

Thanks man. We are not really trying to sound like the old Molly hatchet, although we certainly tip our hat to that music in a big way. But we have all matured a lot since those days, and we have a lot of music in us we want to let out. We are just getting started.

I was sad to hear of the death of your wife last year. Are you doing okay with that?

The best I can man. It was one of the hardest punches I’ve ever had. All of the deaths lately have been really hard, but to lose your soul mate is the worst of all. I just take it a day at a time, you know. But there will always be a part of me missing.

I fully understand. I want to talk a little about the current Molly Hatchet band with Bobby Ingram, and get your thoughts on that.

Oh, sure. No problem. Michael, can we finish up the interview next week. I have to run. Would that be okay?

Sure it will Duane. I’ll call you back. Thanks bro.

Less than a week later, Duane Roland was dead from natural causes. I was honored to be the last journalist to interview him, even if we never finished our conversation. Godspeed Duane. To the rest of Gator Country and Molly Hatchet, all our best wishes. Keep the music alive fellas. I’m sure Duane would want that.

By Michael Buffalo Smith, July 2006
SOURCE: Swampland

Monday, June 10, 2019

Drummer joins Indiana police force

Badlands of Indiana (June 10, 2019) WHR — Founding Five Finger Death Punch drummer Jeremy Spencer left the band in 2018 and was replaced recently by Charlie Engen. According to a report from Blabbermouth, Spencer was recently named a Reserve Police Officer of the Rockport, Indiana Police Department by Mayor Gay Ann Harney.


Chief of Police, Jason Overfield, said Spencer passed the Pre-Basic course of the Indiana Law Enforcement Academy and welcomed him to the department. Rockport is the county seat of Spencer County in southwest Indiana and Spencer grew up in neighboring Warrick County, where he was a graduate of Boonville High School ('91).

Spencer, a resident of Las Vegas, Nevada, said: "It's an honor to be able to come back to this area when I can and serve the community as a reserve police officer and help out my brothers."


Spencer sat out the band's 2018 tour prior to his departure due to needing another back surgery. At the time, he said "the rigorous physical wear and tear has got me to the point where I feel I can no longer deliver a performance that brings me satisfaction and joy."

Five Finger Death Punch are currently in the studio.

Saturday, June 8, 2019

Radio DJ Opportunity

Badlands of Indiana (June 8, 2019) WHR — If you ever wanted to DJ on a radio station and dreamed of having your own radio show, then this may be for you. Wild Hog Radio is now offering the opportunity to a select few to have your own radio program on our network. This is a non paying gig, but is a great opportunity to get your name out there.


We will give you the opportunity to DJ in front of 3000 (unique) listeners per day, to chat with these people and to have a good time on air. If you always wanted to DJ for more people than just your friends or even yourself, then we are the right address and radio station for you. You may even broadcast from local events in your area. 

Here you can be creative, you can do what you want to do, can get experiences in broadcasting and see how internet radio works. Our station is geared toward Southern Rock, Country with a huge emphasis on the Indie bands and musicians.

As a DJ, you would also be eligible for  a verified profile on our main website at WildHogRadio.com where most of our listeners come to chat and listen to music. Your profile page would have it's own shareable link and more. 

Feel free to play your favorite music, to have guests (for example friends) in your shows or to make little competitions on air. We give you no guidelines, as long as everything is appropriate. All radio software provided free of charge. We have high standards for conduct, content and professionalism. Several shifts are available.

If you are interested, please email us a sample of your broadcasting or DJ background and the genre you are considering for your show. You must have broadband internet, sound mixer, headphones and a decent voice microphone. You should also have a good understanding of SHOUTcast DSP, Winamp, SAM broadcaster and CloudDJ software.

Friday, May 31, 2019

Blacktop Mojo announce 2019 Tour Dates

Badlands of Indiana (May 31, 2019) WHR — After spending the first 3 months of 2019 in the studio, Texas Based Rock Band Blacktop Mojo has announced a summer headlining tour in support of the debut single and video, “Can’t Sleep,” off of their highly anticipated, upcoming 3rd album, Under the Sun.


The video is scheduled to premiere on June 21, at which time the track will be available for download and streaming, with the album slated for a mid-September release.

The Can’t Sleep 2019 Tour launches July 13th in Kansas City, MO and runs through August 24th, finishing in Quapaw, OK.


Catch Blacktop Mojo Live on their 2019 Can't Sleep Tour w/Special Guests Lullwater

07/13 @ Aftershock – Kansas City, MO
07/14@ Apollo Theatre – Rockford, IL
07/16@ Spicolis – Waterloo, IA
07/18@ Durty Nellies – Palatine, IL
07/19@ Rock USA – Oshkosh, WI
07/20@ Bike Rally – Sturgis, KY
07/21@ Exit/In – Nashville, TN
07/23 @ Winchester – Cleveland, OH
07/25@ Hard Times Four Mile Fork @ Fredericksburg, VA 
07/26 @ Muddy Creek Saloon – Heath, OH
07/27 @ Cotter Pin – La Crosse, WI
07/28@ Q and Z – Ringle, Wi
07/31@ Token Lounge – Detroit, MI
08/01@ Manchester Music Hall – Lexington, KY
08/02@ Madam Caroll Boat – Monticello, IN
08/03@ Moefest – Monticello, IN
08/04@ Madison Live – Covington, KY
08/06@ Hard Rock Café – Pittsburgh, PA
08/07@ The Chance – Poughkeepsie, NY
08/08@ Wally’s – Manchester,, NH
08/09@ Alchemy – Providence, RI
08/10@ TBA
08/11@ TBA
08/14@ Eclectic Room – Angola, IN
0815@ Illinois State Fair – Springfield, IL
08/16@ Rose Music Hall – Columbia, MO
08/17@ ABATE Summerfest – Bristol, IN
08/18@ The Warehouse – Clarksville, TN
08/20@ Sidetracks – Huntsville, AL
08/21@ TBA
08/22@ Commandry – Ft. Smith, AR
08/23@ City Limits – Oklahoma City, OK
08/24@ Downstream Casino – Quapaw, OK

SOURCE:

Thursday, May 30, 2019

Texas Hippie Coalition Release New Video

Badlands of Indiana (May 30, 2019) WHR — Texas Hippie Coalition has released a new music video today for their current single “Moonshine” exclusively via Revolver Magazine. Directed by veteran director Justin Reich, this is the first music video we’ve seen from the group from their latest LP High In The Saddle due out tomorrow.

“I’ve always wanted to make a Quentin Tarantino type video, flashing forward & back,” says frontman Big Dad Ritch. “Grainy and sexy like an old B movie. Grindhouse style. That’s the direction we took with the video.” As heard on SiriusXM’s Octane “Test Drive”, “Moonshine” was the third most added at the BDS Mainstream Rock Indicator Chart last week. “Moonshine” oozes everything THC stands for and smells like.


A true THC manifesto, if ever there was one: swampy grooves, Crüe type partying, and a Man in Black style saga. Big Dad Ritch adds, “Some men refer to their lady as the light of their life, their sweet sunshine. Me being a man of the darkness, a lord of the night, I do all my dirty deeds under the moonlight. I call my sweet thang, my MOONSHINE.”

Texas Hippie Coalition is out on the road right now on the aptly named “Haulin’ Moonshine Tour” with roughly two weeks to go. Tickets are on sale now.


THC will release High In The Saddle, tomorrow, May 31, 2019, via Entertainment One (eOne). High in the Saddle is a record full of unashamed, full-throttle ass kicking. It’s the band’s second pairing with producer Bob Marlette (Black Stone Cherry, Rob Zombie) and sixth album overall, on the heels of their #2 Billboard Heatseekers slab, Dark Side of Black. Pre-orders are available now.

Backyard barbeques, barroom brawls, tent revivals, and big rock festivals alike are suitable environments for the Red Dirt Metal of THC, a band with a sound so devilishly electrifying that they had to come up with a new genre to describe it.

BIG DAD RITCH captains this pirate ship of bikers, outlaws, troubadours, and hellraisers, welcoming all comers to the THC party with gregarious charisma and Southern charm. Across a half dozen albums, countless club gigs, and show-stealing performances at Rockstar Mayhem, THC has spread the good word of big riffs, big hooks, and wild times.


Ritch puts the band’s evolution in Old West terms. “In the beginning, you’re an outlaw looking for direction. You gotta get the best guys for the job behind you,” he explains. “Now we know how to rob banks, how to rob stagecoaches, and how to rob trains.”


“I’m just out to have fun, man,” Ritch says with genuine modesty. “I never look at this as something I have to do. It’s something I /get/ to do. I just thank the Lord above that He has given me this talent that has allowed me to garner these wonderful things in life.”

Texas Hippie Coalition continues to ride or die for truth-telling, unashamed, Red Dirt Metal badassery, winning over new acolytes every damn day. As Blabbermouth once asked: “How many more reasons do you need to try a little THC? Everybody’s doing it.”

TICKET INFO: THC Tour
SOURCE: Side Stage Magazine


Tuesday, May 28, 2019

Call Me The Breeze by Lynyrd Skynyrd

Badlands of Indiana (May 28, 2019) WHR — The song "Call Me The Breeze" was written and originally recorded by the Oklahoma guitarist J.J. Cale. The song is about a guy who can go where the weather takes him, unburdened by the weight of the world. It was a fitting statement for Cale, who went out of his way to keep things simple and stay out of the spotlight (his photo didn't appear on his first seven albums). The concept of savoring simplicity and going where the wind takes you is also a theme of many Skynyrd songs.

"Call Me The Breeze" appeared on Cale's first solo album, a 1971 release called Naturally. He got his record deal after Eric Clapton recorded "After Midnight," a song Cale wrote and recorded with his band the Leathercoated Minds in 1966. Naturally did well, placing three songs in the Hot 100 and garnering Cale offers from bigger labels (he was signed to Shelter Records). Cale kept it low-key, however, and worked at his own pace.


When Lynyrd Skynyrd covered this song, it once again financed Cale's lifestyle, allowing him to release albums in a leisurely fashion and without concern for hit potential. Clapton remained a key supporter of Cale, later recording his songs "Cocaine" and "Travellin' Light." Cale died in 2013 at age 74.

The original J.J. Cale version of this song is stripped-down, with the vocals far lower in the mix. Skynyrd decided to cover the song when guitarist Gary Rossington came up with a riff that distinguished it from the original.

This was one of the few cover songs Skynyrd recorded, and the only one on the album a band member didn't write. They recorded another J.J. Cale song, "Same Old Blues," on their 1976 album Gimme Back My Bullets, and had plans to work with Cale that were derailed by the 1977 plane crash that killed three members of the band.


Despite being one of the most popular Lynyrd Skynyrd songs, this was not released as a single. Albums were a much bigger deal in 1974, so just two singles were issued from Second Helping: "Don't Ask Me No Questions" and "Sweet Home Alabama."

Since it never got overplayed when the album was out, "Call Me The Breeze" found a spot on most classic rock playlists for many years.

Sunday, April 28, 2019

Phil McCormack Dies at Age 58

Badlands of Indiana (April 27, 2019) WHR — Phil McCormack, the lead singer for Jacksonville-based Southern rock band Molly Hatchet, has died. He was 58.

McCormack’s death comes some 18 months after the September 2017 death of Dave Hlubek, a founding member of the band. Earlier that year, Banner Thomas, the band’s former bassist, also died.


McCormack’s death was confirmed in a social media posts by The Roadducks, the Virginia-based rock band that McCormack frequently performed with.

“Phil was a fabulous, singer, band mate, brother, and human being,” the Roadducks said in a statement. “Collectively we spent thousands of hours that turned into thousands of days together, creating an unbreakable bond few people are fortunate enough to ever experience.”

Later Saturday, McCormack’s death was announced by Molly Hatchet.

“It is with great sorrow to announce the passing of our friend and band member, Phil McCormack. Our condolences and prayers go out to his family during this time of loss. Phil’s contributions to Molly Hatchet were heard around the world. He will be missed but never forgotten.”


McCormack, who performed with Jacksonville’s Molly Hatchet in the early 1990s, joined the band full time in 1995, taking over for Danny Joe Brown, who left the band due to health problems.

No cause of death was given.

Hlubek founded the band in Jacksonville in 1971, the same year he graduated from Forrest High School. The band is named after a legendary killer prostitute.

SOURCE: The Epoch Times

Friday, March 22, 2019

The Dirt: Mötley Crüe Movie

Badlands of Indiana (March 22, 2019) WHR — Even in the sex and drugs-crazed world of rock and roll, the stories about Mötley Crüe’s Vince Neil, Nikki Sixx, Mick Mars and Tommy Lee were legendary. There were girls, girls, girls, alcohol-fueled riots, fist fights, car crashes, cocaine, heroin, mud wrestling and stadiums filled with screaming fans who wanted more of everything. In 2001, the band proved the rumors true in their X-rated, jaw-droppingly lascivious oral history The Dirt: Confessions of the World’s Most Notorious Rock Band.

Working with writer Neil Strauss, the band told all — the good, the bad, the shocking, the outrageous and even the likely criminal — about themselves and one another. After releasing nine albums, Mötley Crüe had a new chart-topping hit, this time in the form of a New York Times bestseller.


Now, under the direction of Jeff Tremaine, The Dirt has come to Netflix in all its sick, slick and shiny glory. The new film features rapper Machine Gun Kelly as Tommy Lee, Douglas Booth as Sixx, Iwan Rheon as Mars, Daniel Webber as Neil and Saturday Night Live‘s Pete Davidson as the Crüe’s record executive. The Dirt largely stays true to the stories the band tells in the book — though some of them are even more scandalous than the movie depicts.


Here’s a breakdown of the facts that fuel The Dirt:


Did the band’s first show really end in a fist fight? 
According to Sixx, this is true. Back in 2014, he told TIME, “The very first show, Vince and I ended up in the crowd in a fist fight! That kind of set a precedent for who we are and what we do.” The incident became a part of Crüe lore as a story of the band’s tough-as-nails, anything-goes attitude.

Did the band’s manager really punch them? 
According to Doc McGhee, the band’s longtime manager, delivering the occasional knuckle sandwich was part of the job. “Sometimes punching people is the only answer. I call it full-contact management,” McGhee wrote in an article for The Guardian on his rules of band management. “I’ve had to use it on most of my bands as a last resort. But with Mötley Crüe, full-contact management happened every couple of months. It was more about survival. You’re talking about a band who would physically bite you if they liked you. You’re talking about a band who would regularly attack their own security guard — and he was head of a Hell’s Angels chapter and a black belt in karate.”

Was the band really that girl crazy? 
Definitely. In an interview with TIME, Neil explained, “That’s the only reason guys get into music — because you get girls and free beer. It wasn’t about fame or anything. You want to get laid and you want to get drunk.”

Did Nikki Sixx really sleep with his record label rep’s girlfriend?
Mötley Crüe’s A&R man, Tom Zutaut, told The Guardian that he took his girlfriend backstage to meet the band before a gig and “within three minutes” Sixx had disappeared with the girl. When asked by the Guardian reporter to confirm whether the nefarious deed happened, Sixx shrugged. “I’m sure it did,” he said. “But I can’t remember.”

When was Mick Mars diagnosed with ankylosing spondylitis?
While the band’s wild antics were well-known to fans, one of the biggest bombshells when the band’s book was published was Mars’ admission that he had been coping with a chronic, degenerative, painful disease throughout his years with Mötley Crüe. Mars was reportedly diagnosed with ankylosing spondylitis, a form of arthritis that primarily effects the spine and makes it difficult to move, when he was 19. While the disease frequently stops its painful, debilitating progression, Mars wasn’t so lucky. “I have a rare form of the disease that hasn’t stopped, so it’s all the way up my whole back and into my brain stem,” Mars told MusicRadar in 2008. “It’s literally squeezing my rib cage together, so I’ve lost some height. And now that it’s up in my brain stem it’s hard for me to move my head in any direction.”
The chronic pain led to drug abuse and a hip replacement. But Mars maintains a surprisingly positive outlook about the chronic illness. “There are some things about this thing that I’ve got that are not so cool,” he told Classic Rock Revisited. “But there is one thing that is cool — I ended up bent. I can always see my guitar. If I’d been straight then I would not be able to see myself play.”

What was the cause of death of Vince Neil’s daughter?
One of the film’s most tragic moments is the death of Neil’s 4-year-old daughter, Skylar. According to a 1995 story in People, she was diagnosed with Wilms’ tumor, a kidney cancer that affects children. She underwent six operations, plus extensive chemotherapy and radiation treatments, but passed away four months after her diagnosis. “This ordeal is something no parent should have to go through,” Neil told People. “More than that, I wish no child ever had to go through it.”

Did Ozzy Osbourne really snort a line of ants? 
Motley Crüe supported Osborne on his Bark at the Moon tour in 1984, at the height of Osbourne’s fame and depravity. In The Dirt, while the band is at a hotel during the tour, a dress-clad Osbourne (played by Tony Cavalero) kneels down on the ground and snorts a line of ants up his nose with a straw, much to the shock of the band. Sixx swears this is true. In an interview with Page Six, he said that while Motley Crüe was a “wild young band” who thought they could compete with Osborne, “you can’t with Ozzy. He won.”

Did Nikki Sixx really die temporarily from a heroin overdose? 
Yes. “For two minutes in 1987 I was pronounced clinically dead from an overdose,” he wrote in a powerful op-ed in the Los Angeles Times last year. While it took him several more years to finally get sober, Sixx has become outspoken about ways to combat opioid addiction.

Who was Razzle from Hanoi Rocks?
Another tragic moment in the band’s history came when Neil, while driving under the influence, got into an accident that killed his friend, Nicholas “Razzle” Dingley, and critically injured two other people. Dingley was the English drummer of the Finnish glam rock band Hanoi Rocks. Dingley and Neil had been at a party to celebrate the band’s first U.S. tour when they decided to take a drive and Neil lost control of the car. Dingley was just 24 and reportedly had a wife who was seven months pregnant at the time of his death.
Neil was sentenced to 30 days in jail but released early for good behavior. He was ordered to pay a fine, which even Neil admits was not enough of a punishment. “I wrote a $2.5 million check for vehicular manslaughter when Razzle died,” he reportedly told Blender. “I should have gone to prison. I definitely deserved to go to prison. But I did 30 days in jail and got laid and drank beer, because that’s the power of cash. That’s f-cked up.”

Did Vince Neil really quit the band?
In the film, as the band was working on a follow-up to their 1989 album Dr. Feelgood, Neil stops coming to rehearsal, eventually storming out and announcing that he quits just as Sixx tells him he’s fired. In real life, the band released a statement saying that Neil left because his longtime hobby, car racing, had “become a priority” in his life. But this explanation, which is not depicted in the film, may not have been the truth, either. In a 1992 appearance on Dennis Miller’s talk show, Neil had a very different take on the situation, saying that being kicked out of the band was a complete shock to him. “Two days after my birthday — like, ‘Happy birthday, Vince‘ … Everybody had 25 percent input, so 75 percent voted me out. They’re great guys; they just had to do what they felt they had to do.”

Did Motley Crüe break up? 
They did. In 2014, the band very publicly signed a legally binding Cessation of Touring Agreement in front of reporters that prohibits future, unauthorized performances and prevents any of the four members from touring under the band name. As Sixx told TIME, “We just wanted to have pride in the band when the band is done forever. If you put on a Crüe t-shirt and walk down the street we want someone to say, ‘The Crüe, man, those guys came in and went out on their own terms.’”
Whether or not that break-up sticks, though, is still to be determined. The band did reunite to record four new tracks for the movie. Since then, rumors have been circulating that Mötley Crüe will go on tour after The Dirt arrives on Netflix. While Sixx said there would be no one-off shows, he recently told Rolling Stone: “Sometimes I look out at my friends, like the guys in Aerosmith and Metallica, and I’m like, ‘God damn it, did we retire too soon?“ He then added, “Maybe we’ll just get together and jam in Mick Mars’ front room.”

Does the band have any regrets about their behavior? 
While the film features some of the band’s wild, reckless, depraved behavior, it barely scratches the surface of the dark, twisted and even criminal behavior documented in the book. When asked about a particular story involving Lee and Sixx and a possible sexual assault, Sixx admitted that they went too far, even though he doesn’t recall the specific incident and admits he may have made it up or embellished it. “There is a lot of horrible behavior in the book,” he told Rolling Stone. “What I can tell you is that we all lived to regret a lot and learned from it. We own up to all our behavior that hurt our selves, our families, friends and any innocents around us.”

STORY: Melissa Locker
SOURCE: Time

Barber shop spins scissors and rock music

Marshall, Virginia (March 21, 2019) WHR — It’s tough to say when it began, perhaps in the 1970s. Its progression grew quietly. Then, one day the American male arose from his hirsute slumber and realized most traditional barber shops had morphed into hair salons. Guys had lost another battle to the increasing influence of the gentler persuasion. But still. There is something nostalgic about guys chatting away among themselves as their locks are shorn.

To their benefit, there is a shop reviving the old-time haircut, but with a modern twist. “I started cutting hair at a salon near Akron, Ohio back in 2001. I don’t know why, but I picked up a really strong male following. I enjoy cutting men’s hair. I don’t like coloring, permanents and all that,” said Kristy Haase, owner of Rock-N-Barbers in the Marshall Center in Marshall. “I always thought it would be neat to combine the best of a hairstylist and a barber.” But the idea had to incubate for a few years. In the interim, Haase moved to D.C. and cut hair at a high-end male-only hair salon. “They offered a full spa with massages and adult beverages.


It was very much what I wanted to do and I spent several years researching the idea without success,” she said. But there is more than one way to trim a head. Haase took a modified approach to her barbershop dream when she moved to Front Royal seven years ago. Realizing a full-blown shop (pun intended) would take considerable financial investment, Haase elected to start where everything does: at the beginning. “I said, ‘You know, I’m just gonna start small. I don’t have all this money to get a huge, fancy place with fancy chairs so I’m just going to start somewhere.’ I knew had the experience and talent and there was no one that could do what I could do.” Confidence is what someone is looking for when they make a decision to place their hair in scissor-powered hands. It’s also why Haase’s shop has been a success from the first hairs that hit the floor.

What she has created is a traditional barbershop, catering to men but also serving women. “About 90 percent of my customers are guys. But the men will tell their wives what we do. When the women come in, they don’t see old barbers in overalls cutting hair,” she said laughing. What they do see is a shop staffed with experienced women hair stylists who know hair from the roots up. At any given time, you’ll see Haase and one or two of her staff of four cutting or shaving while chatting away with their clients.

Rock music plays in the background and friendly banter echoes around the shop. “I wanted a shop that was modern, but with a relaxed atmosphere. That’s why I went with a rock music theme. I’m originally from Cleveland, which is the home of rock and roll and I just thought it was a cool idea,” to create a shop called Rock-N’-Barbers.

In addition to custom haircuts, the guys get to choose their favorite rock genre if they like. Amazon’s Alexa stands at the ready to play classic rock or whatever generation of rock is desired. “There might be Pink Floyd or Guns N Roses playing, but a customer can ask Alexa what they want to hear,” said Haase. Clients and services So, are the loyal customers who drop by for a trim the edgy clientele she served at the high-end D.C. shop? Not quite. Haase explains her customers range across all age groups from the very young to seniors. “I’ve had customers where it was their first haircut and, unfortunately, where it was their last one,” she said.

There are a lot of businessmen and farmers who frequent the shop along with high schoolers, reflecting the demographics of a rural location. And the dream of serving adult refreshments has been put on hold for now. Instead, there is a Keurig machine at the ready, serving coffee, tea or hot chocolate. For a full description of the shop’s services and personal profiles of Haase and her four stylists visit www.rock-n-barbers.com

SOURCE: Fauquier Times

Sunday, March 17, 2019

Dick Dale dies at 81

Badlands of Indiana (March 17, 2019) WHR — Nearly 60 years ago, surfers flocked to the waves along Newport Beach to try mastering the new craze. When the sun set, they needed someplace to dance and Dick Dale delivered it at Rendezvous Ballroom on the Balboa Peninsula. Nearly every week for two years, Dale and his band packed over 3,000 people into the ballroom. “The energy between the Del-Tones and all those surfers stomping on the hardwood floor in their sandals was extremely intense. The tone of Dale’s guitar was bigger than any I had ever heard,” recalled Del-Tones bandmate Paul Johnson.


Dale, whose death was confirmed Sunday, manifested a quintessentially Southern California story, forged in surf, sand and rock ’n’ roll. They called him the Pied Piper of Balboa Beach, but his musical instrument of choice was defiantly not a flute. Rather, the electric-guitar playing son of a Lebanese father melded elements of the music of his ancestral homeland with roaring instrumental rock sounds emerging in the late-1950s, and helped pioneer an iconic American genre known as surf music. “When I got that feeling from surfing,’” he told the writer Barney Hoskyns, “‘the whitewater coming over my head was the high notes going dikidikidiki, and then the dungundungun on the bottom was the waves, and I started double-picking faster and faster, like a locomotive, to feel the power of the waves.” Those rushing guitar lines energized generations across the Southland and reverberated around the world.

Dale, who was 81, died Saturday after a long bout with rectal cancer, longtime friend and former bassist Steve Soest said Sunday. That guitar tone arrived via a blindingly fast picking technique, one of the centerpiece elements of his breakthrough hits “Let’s Go Trippin’” in 1961 and “Misirlou” the following year, that caused guitar picks to melt in his hand. A few decades later, director Quentin Tarantino tapped “Misirlou” to serve as the theme to "Pulp Fiction." The sound featured a liberal use of electronic reverb with his signature Fender Stratocaster guitar, cranked to wall-rattling volume through juiced up Fender amplifiers. Other rock instrumentalists charted wordless hits before Dale came to the fore in the early days of the electric guitar, among them Link Wray’s “Rumble” and Duane Eddy’s “Rebel Rouser,” but Dale helped push surf music into the mainstream through those high-energy performances, supplying a sound that paired perfectly with that growing surf craze.


It began as a regional phenomenon in Southern California and soon spread around the world influencing the likes of the Beatles and Rolling Stones in England, and a high-school aged Canadian named Neil Young long before he found fame. According to Hoskyns’ “Waiting for the Sun,” a young Jimi Hendrix was said to have seen Dale and his band play. Echoes of Dale’s fiery guitar runs and showmanship can be heard in Hendrix’s style. Dale was born Richard Anthony Monsour May 4, 1937, in Boston to a father who had emigrated from Lebanon and a mother who was Polish Belarusian. Growing up in a Lebanese neighborhood in Quincy, Mass., outside of Boston, exposed him to the sounds of Arabic music, which became a signature of his musical amalgam. His musical training started with his childhood interest in piano. Early on, he studied trumpet and also acquired a ukulele before eventually picking up a guitar and trying his best to emulate one of his heroes, country music titan Hank Williams.

A friend suggested he call himself “Dick Dale,” rather than Richard Monsour, because it sounded more fitting for a would-be country singer. The Monsour family moved to Southern California in 1954, when his father landed a job at Hughes Aircraft Co. in El Segundo, near the beach. Dale became a regular at the weekly live country music television show "Town Hall Party." "I wanted to be a cowboy singer, so I went on 'Town Hall Party' and entered their talent contest every week," he told the Glendale News-Press in 2015. "And I did, every week." The confluence of Dale’s ethnic heritage and newfound geographic proximity to the beach and to the flourishing factory in Fullerton, Calif., where electric guitar innovator Leo Fender worked, all blended into the music Dale would soon bring to listeners. “Misirlou” represented a cross-cultural blend, coupling minor key motifs and Middle Eastern musical scale with pounding drums and throbbing bass, all fueling Dale’s stinging “wet” electric guitar pyrotechnics.

A section of the song featuring trumpet also brought in an element of the mariachi music that was prevalent around Southern California. In interviews he would often overstate his role in the development of Fender products, but he was an important early adopter of instruments and amplifiers that would change the sound and content of popular music beginning in the 1950s. Dale liked to consider himself one of Fender’s favorite guinea pigs, and he did push guitars and amplifiers to the limits in his live performances. "Playing guitar was only a window in my life," he said in 2015. "I never practiced the guitar and when I'm done playing I just put it down. Music is like building a house. It's like going out deep into the desert to see what nature is doing. It's like painting, like Salvador Dali. I try to do that with my music, make it like a Salvador Dali painting." A freak accident, when hot oil exploded while he was cooking popcorn in 1983 left second-degree burns over much of his body, put him out of commission as a musician for months. “With every problem comes a gift in hand,” he told The Times in 1985. “For instance, when I do shows to raise money for burn victims, now I can talk to them and know what they are going through. And I can tell their family and friends that when the doctor says the recovery has begun, that's really the time they need your concern and love.”


As a celebrity, he capitalized on quirky passions. At one point he kept live tigers at his Balboa Peninsula mansion, which had previously belonged to Gillette shaving company magnate King Gillette, and titled an early-‘80s live album “The Tigers Loose.” That was his first album in 18 years after surf music fell out of favor in the mid-1960s with the rise of the Beatles, the British Invasion, psychedelic music and other genres. A decade ago Dale battled back from cancer, even playing a show in south Orange County shortly after being released from a nine-day stay at Cedars Sinai Medical Center in Los Angeles for treatment of an infection. “I thought, ‘I cannot cause this [club owner] to lose thousands of dollars,’” he said at the time.

That’s when he started trying to promote a new moniker to substitute for the “King of the Surf Guitar” label often applied to him: he wanted to be referred to as “Dick Dale-Cancer Warrior.” With characteristic bravado, he told The Times, he would soon return to the hospital because “everything is messed up, and if it continues that way, I will die. But I’m not ready to leave my son, not ready to leave [his wife] Lana, I’m not ready to leave all the Dick Dale music lovers. They’ve been my medicine.” Although he has not been inducted into the Rock and Roll Hall of Fame, he was elected to the Musicians Hall of Fame in Nashville a decade ago. He experienced recurring brushes with widespread popularity, notably in 1994 when Tarantino used “Misirlou” in “Pulp Fiction.” In 2010, a career retrospective album “Guitar Legend: The Very Best of Dick Dale” also helped introduce his music to a new generation.

Through his life Dale practiced martial arts and explored eastern philosophy, which he often quoted in interviews. "There are four sentences [taken from Eastern philosophy] in my life that I go by: 'To experience is to know. To know is to understand. To understand is to tolerate. To tolerate is to have peace',” he told The Times in 1985. “It took me 17 years and [training with] masters of the martial arts to make me understand what that means. But I understand it and that's how I can put up with all the stuff that goes on. "That's one of the reasons I like working with tigers and lions. If you can understand animals like that, then you can really put up with the reasons why people are the way they are and love them." Dale’s survivors include his wife, Lana, and his musician son, Jimmy. Information on services was not immediately available.

SOURCE: LA TIMES

Thursday, February 21, 2019

Peter Tork of The Monkees dies

Badlands of Indiana (February 21, 2019) — Peter Tork, who played bass and keyboards with The Monkees, has died at the age of 77. According to The Washington Post, Tork died on Feb. 21. His death was confirmed by his sister, Anne Thorkelson. Tork appeared with the rest of The Monkees — Michael Nesmith, Micky Dolenz, and Davy Jones, who passed away in 2012 — on two seasons of the band’s eponymous TV show in the late ’60s and in the 1968 film, Head.


During this period, the group enjoyed a string of hits, including “Daydream Believer,” “I’m A Believer,” “Last Train to Clarksville,” “A Little Bit Me, A Little Bit You,” and “(I’m Not Your) Steppin’ Stone.” “The songs that we got [in the ‘60s] were really songs of some vigor and substance,” Tork told EW in 2016. “‘(I’m Not Your) Stepping Stone’ is not peaches and cream. It comes down hard on the subject, poor girl. And the weight of the song is indicated by the fact that the Sex Pistols covered it.

Anybody trying to write ‘‘60s songs’ now thinks that you have to write ’59th St. Bridge.’ Which is an okay song, but has not got a lot of guts. ‘Stepping Stone’ has guts.” Tork was the first member to leave the band, at the end of the ’60s, but participated in reunions, starting in the mid-’80s. In 1994, he released a solo album, Stranger Things Have Happened.

 “It is with beyond-heavy and broken hearts that we share the devastating news that our friend, mentor, teacher, and amazing soul, Peter Tork, has passed from this world,” This Facebook account said. “We ask for your kindness and understanding in allowing us to grieve this huge loss privately.” HIs cause of death wasn’t immediately known, but Tork was diagnosed with adenoid cystic carcinoma, a rare cancer affecting his tongue, in 2009. The Monkees debuted on NBC in the fall of 1966 and were an immediate success both on TV and on the music charts.


The group’s first single, “Last Train to Clarksville,” had become a number one hit a few weeks earlier. Tork played a goofy, lovable character on the TV show, essentially becoming The Monkees equivalent of Ringo Starr in The Beatles. The TV show was canceled after two seasons but lived on in reruns The Monkees carried on in different incarnations over the years.

When their 45th anniversary rolled around in 2011, the trio of Dolenz, Jones, and Tork decided to re-form and headed out on an extensive tour of North America, according to AllMusic.com. It was to be their last set of performances with Davy Jones, who passed away at the age of 66 in February of 2012.

Although often dismissed as the “Prefab Four," because The Monkees were the creation of TV executives, Tork and Michael Nesmith had solid performing and recording experience before joining the band, AllMusic.com reported. Dolenz and Jones were primarily actors but had also dabbled in pop music and had strong vocal abilities.

Thursday, January 10, 2019

Fleetwood Mac tour dates for 2019

Badlands of Indiana (January 10, 2019) WHR — The new lineup of Fleetwood Mac hit the road at the beginning of last month for a tour that is expected to span deep into 2019. A series of tour dates have been added to the early-2019 North American leg of the run.



Guitarists Mike Campbell and Neil Finn replaced Lindsey Buckingham and join longtime members Stevie Nicks, Mick Fleetwood, John McVie and Christine McVie in the band. The first of the new dates will take place at the Pepsi Center in Denver on January 31. 

Fleetwood Mac also added performances in Chicago on March 1, New York City on March 18, Philadelphia on March 22, Boston on April 2 and Toronto on April 8. The group’s 2019 touring schedule now begins in Denver and finds the Mac on the road through the Toronto show with stops at many North American cities in between. 


Tickets for the new dates go on sale to the general public on Monday, November 12 at 10 a.m. local time.

Check it out:
Fleetwood Mac 2018-2019 Tour Dates:
11/01 – Pittsburgh, PA @ PPG Paints Arena
11/03 – Ottawa, ON @ Canadian Tire Centre
11/05 – Toronto, ON @ Air Canada Centre
11/07 – Columbus, OH @ Nationwide Arena
11/10 – Edmonton, AB @ Rogers Place
11/12 – Calgary, AB @ Scotiabank Saddledome
11/14 – Vancouver, BC @ Rogers Arena
11/17 – Tacoma, WA @ Tacoma Dome
11/19 – Portland, OR @ Moda Center
11/21 – San Jose, CA @ SAP Center at San Jose
11/23 – Sacramento, CA @ Golden 1 Center
11/25 – Oakland, CA @ Oracle Arena
11/28 – Phoenix, AZ @ Talking Stick Resort Arena
11/30 – Las Vegas, NV @ T-Mobile Arena
12/03 – Denver, CO @ Pepsi Center
12/06 – Fresno, CA @ Save Mart Center
12/08 – San Diego, CA @ Viejas Arena
12/11 – Inglewood, CA @ The Forum
12/13 – Inglewood, CA @ The Forum
12/15 – Inglewood, CA @ The Forum
01/31 – Denver, CO @ Pepsi Center
02/02 – Sioux Falls, SD @ Denny Sanford Premiere Center
02/05 – Houston, TX @ Toyota Center
02/07 – Dallas, TX @ American Airlines Center
02/09 – Austin, TX @ Frank Erwin Center
02/13 – Birmingham, AL @ Legacy Arena at The BJCC
02/16 – New Orleans, LA @ Smoothie King Center
02/18 – Tampa, FL @ Amalie Arena
02/20 – Ft. Lauderdale, FL @ BB&T Center
02/22 – Columbia, SC @ Colonial Life Arena
02/24 – Charlotte, NC @ Spectrum Center
02/27 – Nashville, TN @ Bridgestone Arena
03/01 – Chicago, IL @ United Center
03/03 – Atlanta, GA @ Philips Arena
03/05 – Washington, DC @ Capital One Arena
03/09 – Atlantic City, NJ @ Boardwalk Hall
03/11 – New York, NY @ Madison Square Garden
03/13 – Newark, NJ @ Prudential Center
03/15 – Hartford, CT @ XL CENTER
03/18 – New York, NY @ Madison Square Garden
03/20 – Albany, NY @ Times Union Center
03/22 – Philadelphia, PA @ Wells Fargo Center
03/24 – Baltimore, MD @ Royal Farms Arena
03/26 – Buffalo, NY @ KeyBank Center
03/31 – Boston, MA @ TD Garden
04/02 – Boston, MA @ TD Garden
04/05 – Philadelphia, PA @ Wells Fargo Center
04/08 – Toronto, ON @ Scotiabank Arena
06/06 – Berlin, DE @ Waldbuhne
06/13 – Dublin, IE @ RDS Arena
06/16 – London, UK @ Wembley Stadium

Fleetwood Mac set list:
The Chain
Little Lies
Dreams
Second Hand News
Say You Love Me
Black Magic Woman
Everywhere
Rhiannon
Tell Me All the Things You Do
World Turning (with Mick Fleetwood drum solo)
Gypsy
Oh Well
Don’t Dream It’s Over (Crowded House cover)
Landslide
Hold Me
Monday Morning
You Make Loving Fun
Gold Dust Woman
Go Your Own Way
Free Fallin’ (Tom Petty cover)
Don’t Stop
All Over Again

SOURCE: Wild Hog Radio

Monday, January 7, 2019

See video of Axl Rose stopping asteroid with a song

Badlands of Indiana (January 7, 2019) WHR — Guns N' Roses front man Axl Rose is an avowed fan of the animated series Looney Tunes — his iconic rock band even used the original show's theme song as intro music during its massive "Not in This Lifetime" reunion tour.


So perhaps it makes some sense that he would debut his first new song in over 10 years, "Rock the Rock," via an episode of Boomerang's New Looney Tunes show. The episode, which aired around Christmas, saw an animated Rose cavorting with Bugs Bunny and Porky Pig, and blasting out the new track so loud that it stops an asteroid from destroying the earth at the suggestion.


A few days ago (January 4th), an official music video for the song hit the internet; you can view it above. "Rock the Rock" marks the first new recording from the singer since GN'R's long-delayed 2008 studio album, Chinese Democracy.

SOURCE: Revolver

Wednesday, January 2, 2019

Daryl Dragon dies in Hospice care at 76

Prescott, AZ (January 2, 2019) WHR —  Daryl Dragon—the musician best known as the Captain of 1970's duo Captain & Tennille—has died at age 76. According to a family spokesman, Dragon died today of renal failure at a hospice in Prescott, Arizona.


Dragon’s longtime musical collaborator and former wife Toni Tennille was reportedly by his side. “[Dragon] was a brilliant musician with many friends who loved him greatly,” Tennille said in a statement. “I was at my most creative in my life when I was with him.”


Before joining forces with Tennille in the mid ’70s, Dragon performed with the Beach Boys from 1967 to 1972. As Captain & Tennille, Dragon and Tennille topped the charts with hits like “The Way I Want to Touch You,” “Love Will Keep Us Together,” “Muskrat Love,” “Do That One More Time,” and more. Dragon and Tennille were married for 39 years before divorcing in 2014, though they reportedly remained close until Dragon’s passing.

SOURCE:  Fox News

Tuesday, January 1, 2019

Grand Funk Railroad's Don Brewer

Cleveland, Ohio (January 1, 2019) WHR —  When it comes to music in the 1970's, no band epitomized rock and roll that decade more than Grand Funk Railroad. The band, which was formed in Flint, Michigan by Brewer, guitarist/vocalist Mark Farner and bassist Max Schacher; scored hits with songs like "Some Kind of Wonderful," "The Locomotion" and "We're an American Band." Songs that have stood the test of time and been featured in commercials, movies and beyond.

Unfortunately Farner would split from the group in 1976, leaving the others in limbo before Brewer and Schacher would reform Grand Funk without their founding guitarist.

Don Brewer of Grand Funk Railroad

As the band nears its 50th anniversary, they are out on the road opening up for Bob Seger's farewell tour and will be at The Q Thursday night. I caught up with Brewer to talk about Grand Funk's plans for their anniversary, what it means to have created songs that still resonate today and the time the band has to disappoint Cleveland fans by canceling minutes before they were supposed to take the stage.

When he thinks back to how it all began, Brewer says he never would have imagined Grand Funk lasting as long as it has. "I was 19 years old when this started. I looked at 40 years old as death. When you're young, you don't think about being 70. Here I am, still out there doing what I love. I love to get up on stage and make a fool out of myself. It's pretty amazing. I never dreamed that we'd be going 50 years and that I'd be 70 years old and still doing rock and roll."


And still doing it, they are. Grand Funk has been touring steadily since the mid-90's and routinely plays to sold out crowds at venues like the Hard Rock Rocksino. A big part of that draw are songs Grand Funk recorded that have become staples for classic rock radio and cover bands across the country. Brewer is especially, and understandably, proud of the rock classic, "We're an American Band," which he wrote.

"I never wrote it to be an American anthem. I wasn't trying to wave the flag. I was just trying to come up with a line that made sense. Radio had changed from being FM underground to hit radio, so you had to write songs that were three minutes long and had commercial value. I thought I'd take a stab at it and as we're flying into these towns, the thought came to mind 'We're coming to your town, we'll help you party it down.' And I wrote the song around that. All the little stories in there were things that were going on on the road. And that's where the song came from. I stumbled across 'we're an American band.' It just sang well. To have it be used in movies and car commercials and stuff now, it's an amazing feeling."


Mention Cleveland to Brewer and you can tell he has an affinity for fans and the area, but he does lament the one night he and his band mates let local concert goers down.

"Mel, our bass player, was having some sort of attack, a medical emergency. We had to cancel that show last minute. He was actually in a bathtub filled with ice and water. They were trying to bring his temperature down. Mark and I had to walk out on stage in front of a sold-out Public Auditorium and tell the audience that we weren't going to play. It was a little dicey. They got a little upset."

He recalls saying "'Sorry guys, We can't play. Mel's having an emergency." and the crowd's reaction was "Well, you guys, you two play then!" At that point, he and Farner got off the stage as quickly as possible.

You can catch Grand Funk Railroad throughout the States by finding a location near you. For more information, visit MidwestMusicEvents.net for tour dates, or their website at: GrandFunkRailroad.com

If you can't make it to the show, enjoy this Grand Funk Railroad greatest hits album.

STORY: Mac Mahaffee
SOURCE: WKYC

Slash says Rock Music is struggling

Singapore (January 1, 2019) WHR —  As one of the most recognizable members in American hard rock icon Guns N' Roses, guitarist Slash played a vital role in rock music's heady years in the 1980's and early 1990's. The genre has since seen better days, he says.

"As far as rock n roll is concerned, it's sort of struggling over these past ten years," the musician and songwriter, who will be back in Singapore to stage a concert with singer Myles Kennedy and their band The Conspirators at The Coliseum on Tuesday (Jan 8), says in an e-mail interview.

"I think rock music has been going through a lot of ebbs and flows. Since, say, the middle of the millennium, it's been pretty quiet. You have a couple great artists that come out here and there, but there's not, like, a big movement where you've got a ton of new music, all very inspiring."

Slash performing in Abu Dhabi, United Arab Emirates on Nov 25, 2018.

While he feels that there is too much focus on Top 40 music these days, the 53-year-old, whose real name is Saul Hudson, is optimistic that the style of music that he plays will make a comeback in a big way in the near future.

"I do definitely feel like there's a renaissance coming, like a rock n roll revolution with all these kids that are doing it right now. There's definitely an energy there so I'm excited to see where it's going to be in the next few years."

And while Guns N' Roses are currently riding high on its worldwide Not In This Lifetime tour, reported by Billboard as one of the top five grossing tours of all time, Slash has also been busy making new music with The Conspirators.


In September (2018), the band released their third album, Living The Dream. It topped Billboard's Hard Rock Albums charts and peaked at No. 4 in the British charts.

He is enjoying the change of pace that he gets with The Conspirators, compared to Guns N' Roses, which he describes as a "behemoth onslaught". He has performed in Singapore three times - with Kennedy at Fort Canning in 2010 and the Singapore Indoor Stadium in 2011, and with Guns N' Roses at Changi Exhibition Centre in 2017.

Of The Conspirators' shows, he says: "It's more of a stripped down, very simple rock n roll band that plays in smaller, more intimate venues and what not. So it's really different."

The upcoming set will feature a lot of new songs from Living The Dream, which he says was influenced by the blues and old rock n roll music that he was listening to at home and in his car. Most of the songs comprise guitar riffs that he recorded on his phone while in hotel rooms and dressing rooms around the world.

He speaks highly of Kennedy, who also sings with rock band Alter Bridge.

"He has a very natural ability. He doesn't try to be something that he's not, which, in this day and age, is very hard to find somebody who's not trying to sing like somebody else or trying to force a square peg through a round hole stylistically with their capabilities."

SOURCE:  The StraitTimes