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Monday, September 2, 2019

Steve Gaines of Lynyrd Skynyrd celebrates birthday

Miami, Florida, U.S.A (September 2, 2019) WHR —A birthday bash to celebrate Steve Gaines’ 70th birthday will take place Saturday, September 7th, in downtown Miami as part of the annual Designs of Autumn FestiFall.

Steve and Cassie Gaines, brother and sister, were Miamians who gained international fame as members of the southern rock band Lynyrd Skynyrd, and were tragically killed on Oct. 20, 1977, when the passenger aircraft the band had chartered ran out of fuel and crashed in a wooded area in Mississippi.


The Birthday Bash is a way to honor and celebrate Steve and Cassie’s lives.

“I am just ecstatic about this. We have been trying for years to get Steve and Cassie recognized and for it to come to fruition is just amazing,” said Debbie East, one of the founding members of the Ottawa County Musicians’ Tribute Committee. “We formed the committee together and we all have equal roles — Bob Poole, Sammie Ketcher, myself and Jordan Boyd.”

The Miami High School band will kick off the music celebrating Steve Gaines’ birthday at 2:30 p.m. Saturday, Sept. 7, followed at 3 p.m. with entertainment by “Oklahoma Alibi,” a Lynyrd Skynyrd and Steve and Cassie Gaines tribute band out of the Tulsa area.


Following that there will be a Lynyrd Skynyrd documentary shown at the Coleman Theatre and the possible introduction of some of the plane crash survivors from Mississippi and Florida.

The main event will be a band called the “I Knew You When” band at approximately 5 p.m. that is made up of former members of bands that played with Steve Gaines, including John Moss, Johnny Rose, Sam Ketcher, John Seeburg, Miles Jacobs, Annie Walser, Rusty Knight and special guests.

The emcee for the night will be Hank Rotten Jr., of Joplin, who was the headmaster of ceremonies at the famous Sturgis Festival in Sturgis, South Dakota, recently.

And, finally, there will be a celebratory birthday cake presentation and everyone at the Coleman will get a piece (while it lasts).

“I was in bands with Steve; I didn’t play music; I ran the light shows, but we all feel like it’s great that the City of Miami is going to honor Steve on his 70th birthday. We are glad it’s going to be happening,” Poole said.

“People around Miami have been asking for a few years why we hadn’t been honoring Steve. So finally we have been able to do that. We got the street named for him last year, and we got him into the Rock and Roll Hall of Fame in Oklahoma last year, and this year we are doing the 70th birthday celebration and having a big birthday cake for him on stage. We are just glad it’s happening. His time has come.”

While all of the events are free and open to the public, donations are welcomed and will benefit the new Steve and Cassie Gaines Memorial Scholarship, which will be awarded to deserving music students at NEO in the future.

SOURCE: The Miami News Record

Friday, August 16, 2019

Peter Fonda Dead of Lung Cancer at 79

Los Angeles, California, U.S.A (August 16, 2019) WHR — Peter Fonda, who broke out from under the legendary Fonda family name with Easy Rider, has died. He was 79.

Fonda, the son of acting legend Henry Fonda, the younger brother of Jane Fonda and the father of Bridget Fonda, died Friday morning at his home in Los Angeles, according to his rep. The cause of death was respiratory failure due to lung cancer.


"In one of the saddest moments of our lives, we are not able to find the appropriate words to express the pain in our hearts. As we grieve, we ask that you respect our privacy," said his family rep on Friday afternoon. "And, while we mourn the loss of this sweet and gracious man, we also wish for all to celebrate his indomitable spirit and love of life."

The family statement concluded: "In honor of Peter, please raise a glass to freedom."

Fonda received an Academy Award nomination as a screenwriter for Easy Rider, which he shared with Dennis Hopper and Terry Southern.

Fonda and Hopper dreamed up the idea of two motorcyclists who hit it big with a drug deal and take off across the country, ostensibly to attend Mardi Gras. Their trek was "in search of America," emblematic of the '60s zeitgeist of rebellion and drug experimentation. Featuring Jack Nicholson as their alcoholic, back rider/lawyer, the film was a low-budget, colossal hit.

Fonda produced Easy Rider for about $384,00, with Columbia Pictures picking up distribution rights. "I made Easy Rider for the same amount of money Roger Corman made Wild Angels, and [I knew] it would knock the audience's socks off," Fonda told The Hollywood Reporter in July for a feature on the 50th anniversary of the classic.


Shot in roughly seven weeks between L.A. and New Orleans, it introduced the studios to the bright, educated youth market, and Fonda paved the way for independent filmmakers. For the cataclysmic year of 1969, Easy Rider was a road movie that accomplished cinematically what Jack Kerouac's On the Road did for literature. It won a standing ovation at Cannes and the festival's best director award.

To a generation of young people, Fonda was "Captain America" and a poster-boy for the age. With his cool shades, leather jacket with the flag stitched on back, he sat perched atop a chrome-laden, high-handle-bar cycle, and the poster for the film was ubiquitous in college dorms in 1969 and the early '70s.

As a symbol for rebellious youth, Fonda, along with Mick Jagger, Jimi Hendrix, Muhammad Ali and John Lennon, were among the most revered of countercultural poster boys.

Nearly 30 years after Easy Rider, Fonda's performance in Ulee's Gold (1997) as a beekeeper and sullen Vietnam War veteran whose family had nearly fallen apart earned him a best actor Oscar nom.

Fonda followed up Easy Rider by starring and directing The Hired Hand (1971), a feminist Western that his Pando Company made for Universal. He then helmed Idaho Transfer (1973), a message film about the environment.


He directed and starred opposite Brooke Shields in Wanda Nevada (1979), which featured a cameo by his father.

For a period after Easy Rider, Fonda lived on an 82-foot sailboat, essentially having dropped out. "I was writing during that period, and I got about as much writing done as a child in a sandbox," he told the Los Angeles Times in 1984.

In the early '80s, Fonda appeared in a humdrum batch of projects: He played as charismatic cult leader in Split Image (1982), a freewheeling adventurer in Dance of the Dwarfs (1983) and a suicidal father in the 1985 NBC movie A Reason to Live.

His other acting stints were uneven, from the lowbrow The Cannonball Run (1981) to a German impressionistic film, Peppermint Freiden (1983).

He also starred in Thomas McGuane's 92 in the Shade (1975), where he met Portia Rebecca Crockett; then the wife of the writer-director, she divorced him that year and quickly married Fonda. McGuane went on to marry actress Margot Kidder, who also was in the movie.

Rebecca convinced Fonda to move to Livingston, Mont., where they settled into a community at times populated by Jeff Bridges, Sam Peckinpah and other artistic off-roaders.

In the years before Ulee's Gold, he had become a cinematic recluse, living in Livingston, where he had two ranches and 300 acres and rejoiced in the solitude. "Most people can't hang in with me," he said in a 1997 interview. "I have a tendency to go tangential."

Peter Fonda was born in New York City on Feb. 23, 1939. As a child, he attended a number of boarding schools in the Northeast. When at home, he and Jane spent most of their time with their maternal grandmother.

In 1950, his mother, Frances, committed suicide on her 42nd birthday; Jane and Peter were told she died of a heart attack.

Throughout his adult life, he openly referred to an uneasy relationship with his dad, who died in August 1982.

His father remarried Susan Blanchard, the stepdaughter of Oscar Hammerstein II, but she left him after five years of marriage. Subsequently, Peter was sent to live with relatives in Nebraska. He enrolled at the University of Omaha but quit school during his third year and became an apprentice at the Cecilwood Theatre in Fishkill, New York.

After a year in New York, Fonda made his Broadway debut, playing an Army private in Blood, Sweat and Stanley Poole. It was an auspicious turn: He received the Daniel Blum and the New York Drama Critics Award as the most promising young actor of 1961.

He was signed to a personal contract with producer Ross Hunter to produce and to act. It gave him the chance to leave Manhattan, which he loathed. "New Yorkers don't know what the people who live in Iowa, Kansas, Nebraska and Colorado know: the reality of this world, what it is made of, the reality of days, nights, weather, season, dirt, air, food, love."

Groomed to be the next Dean Jones, Fonda made his film debut opposite Sandra Dee in Tammy and the Doctor (1963). He followed up with The Victors (1963) and Lilith (1964), in which he played a suicidal mental patient. He then latched on with Roger Corman's low-budget enterprise and starred as biker Heavenly Blues in The Wild Angels (1966).

He followed that with another Corman opus, The Trip (1967), a paean to LSD that was written by Nicholson and featured Hopper playing a freaked-out character. The film was widely popular among college-age students and meshed with the counter-cultural mindset of the day.

Not content with cranking out cheapo motorcycle vehicles for Corman, the threesome decided to do "their own thing," in the parlance of the times, and that turned out to be Easy Rider.

Fonda also starred in such features as Dirty Mary Crazy Larry (1974) and Race With the Devil (1975) — where he starred with Warren Oates as two family men who take on a band of devil worshippers in Texas — and the Canadian horror film Spasms (1983).

In addition to his daughter Bridget, Fonda had a son Justin, by his first wife, Susan Brewer. With his second wife, Betty Crockett McGuane, the pair had a combined family, including her son Thomas McGuane.

Wednesday, July 17, 2019

Music Submissions

Badlands of Indiana (July 17, 2019) WHR — Wild Hog Radio is on the hunt and we are looking for some local kick ass tunes. Hook us up with them and we will take a listen, if our DJ's like what they hear then maybe they will hear themselves on our radio station.

We hand pick the artists and we’re always listening to new music. At Wild Hog Radio, we endeavor to support the music of Indie artists of the Midwest – those artists who write, record, and promote their own music independently of major record labels.


We consider it a real honor to provide an online radio stream where the music and the life stories of Indie Artists can be heard locally and globally. To help us further that goal, we invite Indie artists to submit their music for possible play on our station. There are some criteria, and ultimately we will decide if your music fits our format and criteria closely enough to make it on the air.

Please understand, though, that we do not judge your music and if you are not selected for airplay on Wild Hog Radio, it doesn’t mean we don’t like your music – we love all music! But we do have requirements we closely follow. We will bend and work with you as best we can to get you on the air if at all possible.

Here are the guidelines….


The most important requirement is that all submissions be formatted correctly..

+ MP3’s only! < No! ~ WMA, MP2, WAV, OGG, M4A, ACC>

+ Absolutely no hip-hop or rap. This is a Rock n' Roll Station with a mix of County and Oldies.

+ Please name each audio file submitted as: “Artist Name – Song Title”.mp3

+ Each song submitted is encoded in mp3 format at 128-kbps. Our station streams at a steady 128-kbps and does not require higher bitrates. Higher bitrates use valuable disk space.

+ The song is a clean version, if possible. If the song contains vulgar language by FCC standards, then make sure to mark the song as “dirty” or “unedited.” Such songs may qualify for late-night programming.

+ Fill out the ID3 tag on the mp3 (where you put the song name, artist name, album name, year, genre, album cover art, etc.). If you don’t know how to do this, please include the band name, album name, and track-listing for the songs. Also, include a high resolution .jpg or .png of the album cover artwork.

+ Please include a short bio

*Please include a band bio and link to your website(s). By submitting music for consideration to Wild Hog Radio, and in exchange for publicity and promotion, you grant Wild Hog Radio royalty-free, non-exclusive, perpetual right and license throughout the world to broadcast and transmit your music on all Wild Hog Radio properties; including, but not limited to Wild Hog Radio and the WildHogRadio.com internet radio station.*

**We are not obligated to place your music on our station. We are not obligated to return any correspondence. We reserve the right to reject any music not meeting our submission/editorial standards. If you feel that our submission guidelines are too stringent, you agree to not submit music to our station. You agree that you are a legally authorized representative of the band/artist’s music that you are submitting and that you have permission to submit music on behalf of the band/artist.**